ArtRio 2025
Sep 10-14, 2025
Ana Cláudia Almeida | Efrain Almeida | Barrão | Anderson Borba | Tiago Carneiro da Cunha | Rodrigo Cass | Leda Catunda | Tatiana Chalhoub | Iran do Espírito Santo | Márcia Falcão | Pélagie Gbaguidi | Sheroanawe Hakihiiwe | Lucia Laguna | Cristiano Lenhardt | Robert Mapplethorpe | Rodrigo Matheus | Beatriz Milhazes | Sarah Morris | Gerben Mulder | Ernesto Neto | Rivane Neuenschwander | OSGEMEOS | Wanda Pimentel | Sara Ramo | Mauro Restiffe | Valeska Soares | Gokula Stoffel | Hiroshi Sugito | Tadáskía | Antonio Társis | Janaina Tschäpe | Yuli Yamagata | Luiz Zerbini
At stand B4, in the Panorama sector—where Fortes D’Aloia & Gabriel has participated since the very first edition of the fair—we are presenting a significant group of works by artists from our program, highlighting the diversity of their practices. Featuring paintings, sculptures, and collages by both established and emerging names, this selection reflects the gallery’s ongoing commitment to fostering multiple trajectories and to encouraging dialogue across different contexts that bridge generations and distinct paths.
With works by Ana Cláudia Almeida, Anderson Borba, Antonio Társis, Barrão, Beatriz Milhazes, Cristiano Lenhardt, Efrain Almeida, Erika Verzutti, Ernesto Neto, Gerben Mulder, Gokula Stoffel, Hiroshi Sugito, Iran do Espírito Santo, Ivens Machado, Jac Leirner, Janaina Tschäpe, Leda Catunda, Lucia Laguna, Luiz Zerbini, Mauro Restiffe, Márcia Falcão, Pélagie Gbaguidi, Rivane Neuenschwander, Robert Mapplethorpe, Rodrigo Cass, Rodrigo Matheus, Sara Ramo, Sarah Morris, Sheroanawe Hakihiiwe, Tadáskía, Tatiana Chalhoub, Tiago Carneiro da Cunha, Valeska Soares, and Yuli Yamagata.
SOLO Program | STAND S4
OSGEMEOS present a special project conceived especially for this edition of the fair. The exhibition brings together an unprecedented set of five large-scale paintings and a tapestry, creating an immersive environment that invites visitors to enter the most recent developments of the duo’s practice. Internationally recognized for their singular language that combines graffiti, music, folklore, and storytelling within a universe that is at once dreamlike and vibrant, the artists here expand the boundaries of painting, exploring the narrative and visual power of their work.
The compositions establish fantastical settings where metamorphic figures and imaginary beings move between the real and the invented, revealing an iconography in constant transformation. The technical and chromatic freedom with which they investigate surfaces lends the works a dimension of visual intensity, marked by contrasts, overlaps, and rhythms that evoke both the street experience and the symbolic complexity of painting.
By uniting the spontaneity of graffiti with the conceptual density and formal elaboration of painterly tradition, OSGEMEOS affirm their place within the expanded field of contemporary art.