‘Here everything appears to be still in construction and is already a ruin’: rethinking ‘brasilidade’ in the work of Cerith Wyn Evans and Laercio Redondo
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“Ana Cláudia Almeida & Tadáskía” na Fortes D’Aloia & Gabriel + Quadra
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Ana Cláudia Almeida, a Preacher’s Daughter, Makes Art About Resisting Control
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Bienal do Mercosul quer mostrar que o mundo todo acaba num estalo, do nada
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MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
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